(Ir)religiosity

This is part four in an ongoing series on systematic (de)constructive theology. See part one for a longer introduction and please keep in mind that the following is provisional, unfinished, and ad hoc. In other words, it is truly theology not a dogmatics. I look forward to the dialogue.

Human beings are first and foremost created in the image of God and bear the divine mark upon their being; the most basic definition of sin, then, is the disintegration of the Imago dei and the disruption of the relational quality that binds humanity together.  Original sin, in this view, is not biological but sociological comprising the destructive and repressive structures in which all human beings participate yet still allow to exist.

What is the human condition?  The nature of the human person?  Is she inherently good or intrinsically tainted and driven to evil?  For centuries the Christian tradition has struggled to make sense of the reality that human beings are simultaneously capable of wonderful goodness and horrific monstrosity.  Since Augustine, Christian theology has been especially preoccupied with the notion of original sin, which, in its more extreme forms, suggests that human beings post-Eden are completely and wholly depraved lacking any inherent ability whatsoever to do good without divine intervention.  Issues of sexuality notwithstanding,¹  such a hard view of original sin is quite problematic, suffering from a shallow and otherwise underdeveloped doctrine of creation.  Whatever else is to be said about human beings, no discussion of theological anthropology can properly begin without acknowledging that humanity bears the mark of the Imago dei (Gen. 1:26-27) and is part of a creation that God originally called good, indeed, very good.  A doctrine of human nature that begins with humanity’s fallenness and so-called total depravity without considering that each human being is created in the image of God and is an integral part of God’s original, good creation is doomed for failure before it even starts.  To be sure, the Imago dei does not preclude any person from being subject to the finite situation that comprises the basic character of limited humanity nor should it be interpreted to mean that human beings are God (in fact, the latter is not a bad working definition of sin).  Even in the face of overwhelming beauty, human life is short, fragile, and unbelievably painful.  As Cornel West describes it with a certain rhythm and cadence:

[W]e’re beings toward death.  We’re featherless two-legged linguistically conscious creatures born between urine and feces whose bodies will one day be the culinary delight of terrestrial worms.  That’s us; we’re beings toward death.²

Being created in the image of God does not free us from finitude; it enables us to appreciate finitude. The Imago dei is simply a statement indicating that within each person, however evil or good they may seem, is a spark of the divine and the possibly of redemption and reintegration into the participation of the divine life, of the event of God.  There is always the possibility of renewed response to divine grace. Read the rest of this entry »

1. Augustine, of course, held that original sin was passed on biologically through sexual intercourse which has resulted in almost 2000 years worth of sexual “hang-ups” in the Christian tradition.   More recently, however, theologians are reclaiming the goodness sex and the diversities of sexuality.  See, for example, Lisa Fullman, “Sex in 3-D: A Telos for a Virtue Ethics of Sexuality,” Journal of the Society of Christian Ethics, 27, 2 (2007): 151-170 and Sarah Coakley, “Living in the Mystery of the Holy Trinity: Trinity, Prayer, and Sexuality,” Anglican Theological Review, 80, 2 (Spr. 1998): 223-32. [↩]
2. Astra Taylor, ed. Examined Life:  Excursions with Contemporary Thinkers (New York, New York:  The New Press, 2009), 5. Or, as Achilles puts it somewhat romantically in the film Troy (2004) “I’ll tell you a secret. Something they don’t teach you in your temple. The Gods envy us. They envy us because we’re mortal, because any moment might be our last. Everything is more beautiful because we’re doomed. You will never be lovelier than you are now. We will never be here again.” [↩]